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  • Fashion design

    Fashion design is the art of applying designaesthetics, clothing construction and natural beauty to clothing and its accessories. It is influenced by culture and different trends and has varied over time and place. “A fashion designer creates clothing, including dresses, suits, pants, and skirts, and accessories like shoes and handbags, for consumers. They can specialize in clothing, accessory, or jewelry design, or may work in more than one of these areas.”[1]

    Fashion designers typically use a runway of models to showcase their work.

    Fashion designers

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    Fashion designers work in a variety of ways when designing their pieces and accessories such as rings, bracelets, necklaces, earrings and clothes. Due to the time required to put a garment out on the market, designers must anticipate changes to consumer desires. Fashion designers are responsible for creating looks for individual garments, involving shape, color, fabric, trimming, and more.[2]

    Fashion designers attempt to design clothes that are functional as well as aesthetically pleasing. They consider who is likely to wear a garment and the situations in which it will be worn, and they work with a wide range of materials, colors, patterns, and styles. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions such as evening wear or party dresses.

    Some clothes are made specifically for an individual, as in the case of haute couture or bespoke tailoring. Today, most clothing is designed for the mass market, especially casual and everyday wear, which are commonly known as ready to wear or fast fashion.

    Structure

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    There are different lines of work for designers in the fashion industry. Fashion designers who work full-time for a fashion house, as ‘in-house designers’, own the designs and may either work alone or as a part of a design team. Freelance designers who work for themselves sell their designs to fashion houses, directly to shops, or to clothing manufacturers. There are quite a few fashion designers who choose to set up their labels, which offers them full control over their designs. Others are self-employed and design for individual clients. Other high-end fashion designers cater to specialty stores or high-end fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands that have a ‘name’ as their brand such as Abercrombie & FitchJustice, or Juicy are likely to be designed by a team of individual designers under the direction of a design director.

    Designing a garment

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    Garment design includes components of “color, texture, space, lines, pattern, silhouette, shape, proportion, balance, emphasis, rhythm, and harmony”.[3] All of these elements come together to design a garment by creating visual interest for consumers.

    Fashion designers work in various ways, some start with a vision in their head and later move into drawing it on paper or on a computer, while others go directly into draping fabric onto a dress form, also known as a mannequin. The design process is unique to the designer and it is rather intriguing to see the various steps that go into the process. Designing a garment starts with patternmaking. The process begins with creating a sloper or base pattern. The sloper will fit the size of the model a designer is working with or a base can be made by utilizing standard size charting.

    Three major manipulations within patternmaking include dart manipulation, contouring, and added fullness.[4] Dart manipulation allows for a dart to be moved on a garment in various places but does not change the overall fit of the garment. Contouring allows for areas of a garment to fit closer to areas of the torso such as the bust or shoulders. Added fullness increases the length or width of a pattern to change the frame as well as fit of the garment. The fullness can be added on one side, unequal, or equally to the pattern.

    A designer may choose to work with certain apps that can help connect all their ideas together and expand their thoughts to create a cohesive design. When a designer is completely satisfied with the fit of the toile (or muslin), they will consult a professional pattern maker who will then create the finished, working version of the pattern out of paper or using a computer program. Finally, a sample garment is made up and tested on a model to make sure it is an operational outfit. Fashion design is expressive, the designers create art that may be functional or non-functional.

    Technology within fashion

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    Over the years, there has been an increase in the use of technology within fashion design. Iris van Herpen, a Dutch designer, incorporated 3D printing in her Crystallization collection.[5]

    Software can aid designers in the product development stage. Designers can use artificial intelligence and virtual reality to prototype clothing.[5] 3D modeling within software allows for initial sampling and development stages for partnerships with suppliers before the garments are produced.[6]

    History

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    The Chéruit salon on Place Vendôme in Paris, 1910

    Main article: History of fashion design

    Modern Western fashion design is often considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation of the garments were handled largely by anonymous seamstresses. At the time high fashion descended from what was popularly worn at royal courts. Worth’s success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 is considered fashion design.[7]

    It was during this period that many design houses began to hire artists to sketch or paint designs for garments. Rather than going straight into manufacturing, the images were shown to clients to gain approval, which saved time and money for the designer. If the client liked their design, the patrons commissioned the garment from the designer, and it was produced for the client in the fashion house. This designer-patron construct launched designers sketching their work rather than putting the completed designs on models.

    Types of fashion

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    Garments produced by clothing manufacturers fall into three main categories, although these may be split up into additional, different types.

    Haute couture

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    Main article: Haute couture

    Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-sewing), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.[8][9] Due to the high cost of each garment, haute couture makes little direct profit for the fashion houses, but is important for prestige and publicity.[10]

    Ready-to-wear (prêt-à-porter)

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    Main article: Ready-to-wear

    Ready-to-wear, or prêt-à-porter, clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as fashion week or fashion month. This takes place on a citywide basis and occurs twice a year. The main seasons of Fashion Week include spring/summer, fall/winter, resort, swim, and bridal.

    Half-way garments are an alternative to ready-to-wear, “off-the-peg”, or prêt-à-porter fashion. Half-way garments are intentionally unfinished pieces of clothing that encourage co-design between the “primary designer” of the garment, and what would usually be considered, the passive “consumer”.[11] This differs from ready-to-wear fashion, as the consumer is able to participate in the process of making and co-designing their clothing. During the Make{able} workshop, Hirscher and Niinimaki found that personal involvement in the garment-making process created a meaningful “narrative” for the user, which established a person-product attachment and increased the sentimental value of the final product.[11]

    Otto von Busch also explores half-way garments and fashion co-design in his thesis, “Fashion-able, Hacktivism and engaged Fashion Design”.[12]

    Mass market

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    Main article: Mass market

    Currently, the fashion industry relies more on mass-market sales. The mass market caters for a wide range of customers, producing ready-to-wear garments using trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their versions of the original look. To save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machines. The end product can, therefore, be sold much more cheaply.[13][14][15]

    There is a type of design called “kutch” originated from the German word kitschig, meaning “trashy” or “not aesthetically pleasing”. Kitsch can also refer to “wearing or displaying something that is therefore no longer in fashion”.[16]

    Income

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    The median annual wages for salaried fashion designers was $79,290 in May 2023, approximately $38.12 per hour. The middle 50 percent earned an average of 76,700. The lowest 10 percent earned $37,090 and the highest 10 percent earned $160,850.[17] The highest number of employment lies within ApparelPiece Goods, and Notions Merchant Wholesalers with a percentage of 5.4. The average is 7,820 based on employment. The lowest employment is within Apparel Knitting Mills at .46% of the industry employed, which averages to 30 workers within the specific specialty.[17] In 2016, 23,800 people were counted as fashion designers in the United States.[18]

    Geographically, the largest employment state of Fashion designers is New York with an employment of 7,930.[17] New York is considered a hub for fashion designers due to a large percentage of luxury designers and brands.

    Fashion industry

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    Men pulling carts of women’s clothing in Garment District, New York, 1955

    Fashion today is a global industry, and most major countries have a fashion industry. Seven countries have established an international reputation in fashion: the United StatesFranceItalyUnited KingdomJapanGermany and Belgium. The “big four” fashion capitals of the fashion industry are New York CityParisMilan, and London.

    United States

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    Main article: Fashion in the United States

    Fashion show at a fashion designing college, US, 2015

    The United States is home to the largest, wealthiest, and most multi-faceted fashion industry. Most fashion houses in the United States are based in New York City, with a high concentration centered in the Garment District neighborhood. On the US west coast, there is also to a lesser extent a significant number of fashion houses in Los Angeles, where a substantial percentage of high fashion clothing manufactured in the United States is actually made. Miami has also emerged as a new fashion hub, especially in regards to swimwear and other beach-oriented fashion. A semi-annual event held every February and September, New York Fashion Week is the oldest of the four major fashion weeks held throughout the world. Parsons The New School for Design, located in the Greenwich Village neighborhood of Lower Manhattan in New York City, is considered one of the top fashion schools in the world. There are numerous fashion magazines published in the United States and distributed to a global readership. Examples include VogueHarper’s Bazaar, and Cosmopolitan.

    American fashion design is highly diverse, reflecting the enormous ethnic diversity of the population, but is largely dominated by a clean-cut, urban, hip aesthetic, and often favors a more casual style, reflecting the athletic, health-conscious lifestyles of the suburban and urban middle classes. The annual Met Gala ceremony in Manhattan is widely regarded as the world’s most prestigious haute couture fashion event and is a venue where fashion designers and their creations are celebrated. Social media is also a place where fashion is presented most often. Some influencers are paid huge amounts of money to promote a product or clothing item, where the business hopes many viewers will buy the product off the back of the advertisement. Instagram is the most popular platform for advertising, but Facebook, Snapchat, Twitter and other platforms are also used.[19] In New York, the LGBT fashion design community contributes very significantly to promulgating fashion trends, and drag celebrities have developed a profound influence upon New York Fashion Week.[20][21]

    Prominent American brands and designers include Calvin KleinRalph LaurenCoachNikeVansMarc JacobsTommy HilfigerDKNYTom FordCaswell-MasseyMichael KorsLevi Strauss and Co.Estée LauderRevlonKate SpadeAlexander WangVera WangVictoria’s SecretTiffany and Co.ConverseOscar de la RentaJohn VarvatosAnna SuiPrabal GurungBill BlassHalstonCarharttBrooks BrothersStuart WeitzmanDiane von FurstenbergJ. CrewAmerican Eagle OutfittersSteve MaddenAbercrombie and FitchJuicy CoutureThom BrowneGuessSupreme, and The Timberland Company.

    Belgium

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    In the late 1980s and early 1990s, Belgian fashion designers brought a new fashion image that mixed East and West, and brought a highly individualised, personal vision on fashion. Well known Belgian designers are the Antwerp SixAnn DemeulemeesterDries Van NotenDirk BikkembergsDirk Van SaeneWalter Van Beirendonck and Marina Yee, as well as Martin MargielaRaf SimonsKris Van AsscheBruno PietersAnthony Vaccarello.[22]

    United Kingdom

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    London has long been the capital of the United Kingdom fashion industry and has a wide range of foreign designs which have integrated with modern British styles. Typical British design is smart but innovative yet recently has become more and more unconventional, fusing traditional styles with modern techniques. Vintage styles play an important role in the British fashion and styling industry. Stylists regularly ‘mix and match’ the old with the new, which gives British style a unique, bohemian aesthetic. Irish fashion (both design and styling) is also heavily influenced by fashion trends from Britain. Well-known British designers include Thomas BurberryAlfred DunhillPaul SmithVivienne WestwoodStella McCartneyJimmy ChooJohn GallianoJohn RichmondAlexander McQueenMatthew WilliamsonGareth PughHussein Chalayan and Neil Barrett.

    France

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    Main article: French fashion

    Chanel Haute Couture Fall-Winter 2011–2012 Fashion Show

    Most French fashion houses are in Paris, which is the capital of French fashion. Traditionally, French fashion is chic and stylish, defined by its sophistication, cut, and smart accessories. French fashion is internationally acclaimed.

    Spain

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    Madrid and Barcelona are the main fashion centers in Spain. Spanish fashion is often more conservative and traditional but also more ‘timeless’ than other fashion cultures. Spaniards are known not to take great risks when dressing.[23][24] Nonetheless, many of the fashion brands and designers coming from Spain.

    The most notable luxury houses are Loewe and Balenciaga. Famous designers include Manolo BlahnikElio BerhanyerCristóbal BalenciagaPaco RabanneAdolfo DomínguezManuel PertegazJesús del PozoFelipe Varela and Agatha Ruiz de la Prada.

    Spain is also home to large fashion brands such as ZaraMassimo DuttiBershkaPull&BearMangoDesigualPepe Jeans and Camper.

    Germany

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    Main article: German fashion

    Berlin is the centre of fashion in Germany (prominently displayed at Berlin Fashion Week), while Düsseldorf holds Europe’s largest fashion trade fairs with Igedo. Other important centres of the scene are MunichHamburg, and CologneGerman fashion is known for its elegant lines as well as unconventional young designs and the great variety of styles.

    India

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    Most of the Indian fashion houses are in Mumbai, Lakme Fashion Week is considered one of the premier fashion events in the country.[25] Lakme Fashion Week in India takes place twice a year and is held in the populous city of Mumbai. The first show occurs during April featuring summer collections. The second show takes place in August to showcase the winter collection. Lakme, a cosmetic brand for Indian women, hosts the event. This fashion week started in 1999 and originally partnered with the FDCI, Fashion Design Council of India then later  switched to a sponsorship with Lakme.[25]

    Italy

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    Red carpet fashion: Italian actors Gabriel Garko and Laura Torrisi wearing designer formal wear at Venice Film Festival, 2009

    Main article: Italian fashion

    Milan is Italy’s fashion capital. Most of the older Italian couturiers are in Rome. However, Milan and Florence are the Italian fashion capitals, and it is the exhibition venue for their collections. Italian fashion features casual and glamorous elegance. In Italy, Milan Fashion Week takes place twice a year in February and September. Milan Fashion week puts fashion in the spotlight and celebrates it in the heart of Milan with fashion lovers, buyers and media.

    Japan

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    Most Japanese fashion houses are in Tokyo which is home to Tokyo Fashion Week, Asia’s largest fashion week. The Japanese look is loose and unstructured (often resulting from complicated cutting), colors tend to the sombre and subtle, and richly textured fabrics. Famous Japanese designers include Kenzo TakadaIssey MiyakeYohji Yamamoto and Rei Kawakubo.

    China

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    Chinese clothing has historically been associated with lower quality both inside and outside China, leading to a stigma on Chinese brands. Due to government censorship, Chinese citizens were only able to access fashion magazines in the 1990s.[26] However, as more and more Chinese designers matriculate from the world’s top fashion schools, Chinese designers such as Shushu/Tong and Rui Zhou have made their way into the world’s top fashion weeks, and Shanghai has become a fashion hub in China.[27][26] In the early 2020s, Gen Z shoppers pioneered the guochao (Chinese: 国潮; pinyinGuó cháo) movement, a trend of preferring homegrown designers which incorporate aspects of Chinese history and culture.[27] Hong Kong clothing brand Shanghai Tang‘s design concept is inspired by Chinese clothing and set out to rejuvenate Chinese fashion of the 1920s and 30s, with a modern twist of the 21st century and its usage of bright colours.[28] Additionally, a revival in interest in traditional Han clothing has led to interest in haute couture clothing with historical Chinese details, particularly around Chinese New Year.[29]

    Soviet Union

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    Main article: Fashion in the Soviet Union

    Fashion in the Soviet Union largely followed general trends of the Western world. However, the state’s socialist ideology consistently moderated and influenced these trends. In addition, shortages of consumer goods meant that the general public did not have ready access to pre-made fashion.

    Switzerland

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    Most of the Swiss fashion houses are in Zürich.[30] The Swiss look is casual elegant and luxurious with a slight touch of quirkiness. Additionally, it has been greatly influenced by the dance club scene.

    Mexico

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    In the development of Mexican indigenous dress, the fabrication was determined by the materials and resources that are available in specific regions, impacting the “fabric, shape and construction of a people’s clothing”.[31] Textiles were created from plant fibers including cotton and agave. Class status differentiated what fabric was worn. Mexican dress was influenced by geometric shapes to create the silhouettes. Huipil a blouse characterized by a “loose, sleeveless tunic made of two or three joined webs of cloth sewn lengthwise”[31] is an important historical garment, often seen today. After the Spanish Conquest, traditional Mexican clothing shifted to take a Spanish resemblance.

    Mexican indigenous groups rely on specific embroidery and colors to differentiate themselves from each other.[32]

    Mexican Pink is a significant color to the identity of Mexican art and design and general spirit. The term “Rosa Mexicano” as described by Ramón Valdiosera was established by prominent figures such as Dolores del Río and designer Ramón Val in New York.[32]

    When newspapers and magazines such as El Imparcial and El Mundo Ilustrado circulated in Mexico, became a significant movement, as it informed the large cities, such as Mexico City, of European fashions. This encouraged the founding of department stores, changing the existent pace of fashion.[33] With access to European fashion and dress, those with high social status relied on adopting those elements to distinguish themselves from the rest. Juana Catarina Romero was a successful entrepreneur and pioneer in this movement.

    Fashion design terms

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    • A fashion designer conceives garment combinations of line, proportion, color, and texture. While sewing and pattern-making skills are beneficial, they are not a pre-requisite of successful fashion design. Most fashion designers are formally trained or apprenticed.
    • A technical designer works with the design team and the factories overseas to ensure correct garment construction, appropriate fabric choices and a good fit. The technical designer fits the garment samples on a fit model, and decides which fit and construction changes to make before mass-producing the garment.
    • pattern maker (also referred as pattern master or pattern cutter) drafts the shapes and sizes of a garment’s pieces. This may be done manually with paper and measuring tools or by using a CAD computer software program. Another method is to drape fabric directly onto a dress form. The resulting pattern pieces can be constructed to produce the intended design of the garment and required size. Formal training is usually required for working as a pattern marker.
    • tailor makes custom designed garments made to the client’s measure; especially suits (coat and trousers, jacket and skirt, et cetera). Tailors usually undergo an apprenticeship or other formal training.
    • textile designer designs fabric weaves and prints for clothes and furnishings. Most textile designers are formally trained as apprentices and in school.
    • stylist co-ordinates the clothes, jewelry, and accessories used in fashion photography and catwalk presentations. A stylist may also work with an individual client to design a coordinated wardrobe of garments. Many stylists are trained in fashion design, the history of fashion, and historical costume, and have a high level of expertise in the current fashion market and future market trends. However, some simply have a strong aesthetic sense for pulling great looks together.
    • fashion buyer selects and buys the mix of clothing available in retail shops, department stores, and chain stores. Most fashion buyers are trained in business and/or fashion studies.
    • seamstress sews ready-to-wear or mass-produced clothing by hand or with a sewing machine, either in a garment shop or as a sewing machine operator in a factory. She (or he) may not have the skills to make (design and cut) the garments, or to fit them on a model.
    • dressmaker specializes in custom-made women’s clothes: day, cocktail, and evening dresses, business clothes and suits, trousseaus, sports clothes, and lingerie.
    • fashion forecaster predicts what colours, styles and shapes will be popular (“on-trend”) before the garments are on sale in stores.
    • model wears and displays clothes at fashion shows and in photographs.
    • fit model aids the fashion designer by wearing and commenting on the fit of clothes during their design and pre-manufacture. Fit models need to be a particular size for this purpose.
    • fashion journalist writes fashion articles describing the garments presented or fashion trends, for magazines or newspapers.
    • A fashion photographer produces photographs about garments and other fashion items along with models and stylists for magazines or advertising agencies.[34]
  • Street style

    Street style is fashion that is considered to have emerged not from studios, but from the population at large. Street fashion is generally associated with youth culture, and is most often seen in major urban centers. Magazines and newspapers commonly feature candid photographs of individuals wearing urban, stylish clothing.[1] Mainstream fashion often appropriates street fashion trends as influences. Most major youth subcultures have had an associated street fashion. Street style is different all around the globe.

    Description

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    The “street” approach to style and fashion is often based on individualism, rather than focusing solely on current fashion trends. Using street style methods, individuals demonstrate their multiple, negotiated identities, in addition to utilizing subcultural and intersecting styles or trends. This, in itself, is a performance, as it creates a space where identities can be explored through the act(ion) of dress.[2]

    Bill Cunningham for The New York Times pointed street style out as a keen catalogue of ordinary people’s clothing. Also, he mentioned that streets tell a great deal about fashion and people, if one listens. According to him the best fashion show is coming to life every day on the streets.

    Street style is a viral and instant facet of fashion that has changed many of the ways in which fashion is made and consumed. Its fast characteristic links it also to the term consumerism.[3] Given how styles change over time, it also challenges the use of fast fashion in relation to the purchasing and wearing of clothing, as this conceals the complexities of practice.[4]

    Development

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    Street style has always existed but it has become a phenomenon of 20th century. The increase in the standardization of life after World War II (suburbanizationmass marketing, the spread of television) may be linked to the appeal of “alternative” lifestyles for individuals in search of “identity”. Industrial production, particularly in the sphere of fashion, was not only the popularization of stylists’ tastes that move from high fashion, through prêt-à-porter, to the peripheries of the system. These were also tastes that originated among economically disfavored, marginal groups, the whole range of metropolitan tribes, that are able to trigger new fashion production and diffusion processes.

    Hipster girls

    Phenomena of this kind have been studied for a long time in England and have revealed the importance of young people’s street styles during the post-war period, which may be linked to the generation of baby boomers, who came to represent a new sociocultural category—the “teenager”—who has money to spend and be an important motivation on economic and cultural world.

    The history of identity and the history of clothing run on two parallel rails. In this connection, street style works as a facilitator of group identity and subcultural cohesion. Since the close of World War II, Western culture has seen a dramatic decline in the significance of the traditional sociocultural divisions such as race, religion, ethnicity, regionalism, nationalism, in defining and limiting personal identity. The tribe groupings, such as bikers, beats, and teddy boys in the 1950s; mods, hippies, and skinheads in the 1960s; headbangerspunks, and b-boys in the 1970s; and goths, new age travelers and ravers in the 1980s got dressed and unusual body decoration as an expression to create a sense of identity.[5]

    In the first half of the twentieth century, although the unaccompanied figure of the woman in the street was seen increasingly in fashion photographs, she often remained bound by the pursuits of a bourgeois existence, with the reality of the street beautified as a fantasy prop for high-end fashion. As an object of gaze, her position contrasted with that of the flâneur and the male privileged code of visual spectatorship. It was not until the post-war period, with the emergence of style-conscious magazines aimed at men, that the image of the flaneur, somewhat melded with the more modern notion of the “man about town”, began to be visualized in fashion photography. Masculinity was shown to be influenced by the industrial atmosphere of the metropolis. This is illustrated by Terence Donovan‘s grainy black-and-white photographs of sharply suited men in “Spy Drama” for the October 1962 issue of Town which became famous as the visual influence for the filmic interpretation of James Bond. In this period, the representation of the woman in the street was radicalized by the emergence of youth as a social category and its claiming of street culture as its primary context.[6]

    Influence of sportswear

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    Influence of sport practices

    Street style includes ordinary people who regularly wear sportswear. However, it is influenced by supermodels who work for various sportswear brands. Therefore, it gets easier to influence ordinary people with the sense of sportive clothing.[7]

    Skateboarding particularly influenced the forming of certain street styles. The image of the street style follower often corresponds with skateboarding. Skate shoes that keep the feet from slipping on the board have been adopted by people who do not skateboard.[8]

    Key sites

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    Designers, street style activists, trendsetters, bloggers, fashion retailers and models influence a city’s representation. These trends can mark shopping areas and entertainment locations. From the interdisciplinary perspective of consumption and consumer practices, city tourism is connected to city branding, through which a city’s representation is aimed at attracting visitors and consumers.[9]

    Street style in Milan

    Milan

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    Milan has several important fashion institutions, agencies and events, including Milan Fashion Week. The expression ‘capitale della moda’ (the capital of fashion) refers to Milan when describing styles, urban life, fashion collections, and designers, motivating other cities to compete for this fashion, branded city status.

    Paris

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    Paris‘s look can be considered through frameworks of fashion fads, designers, a chic and luxury capital, artists and a bohemian lifestyle. Paris is an example of creating the ‘city look’, a collective image – certain fashion garments, specifics and lifestyles embody definite urbanity in a city’s context. For instance, an image of ‘La Parisienne’, – the typical Parisian woman – consists not only of clothing but of certain manners, values and behavioural patterns associated with the country and its citizens. One of the most typical associations with Paris is that it is the city of love and fashion, a romantic city full of chic and luxury. The fashion phenomenon can provide strong associations and a clear understanding of Paris as a centre of fashion, love and dreams.[9]

    Japan

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    Japanese fashion has inspired many fashion professionals in the West, starting with Kenzō Takada‘s appearance in Paris in 1970 followed by Issey Miyake in 1973, Hanae Mori in 1977, Yohji Yamamoto and Rei Kawakubo of Comme des Garçons in 1981. Japan is gradually becoming a country that is a genuine force in the field of fashion. Today’s Japanese fashion contributes both to the aesthetics of fashion as well as to how business is made in this industry.

    Japanese street fashion sustains multiple simultaneous highly diverse fashion movements at any given time. It does not come from the famous professional Japanese designers, but is led by high school girls who have become extremely influential in controlling fashion trends. These fashion-conscious, or fashion-obsessed, youngsters indirectly and directly dictate this type of Japanese fashion. It is not an exaggeration to say that they are the agents of fashion, who take part in the production and dissemination of fashion. Japanese street fashion emerges from the social networks among different institutions of fashion as well as various street subcultures, each of which is identified with a unique and original look. These teens rely on a distinctive appearance to proclaim their symbolic, subcultural identity. This identity is not political or ideological; it is simply innovative fashion that determines their group affiliation.[10]

    London

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    Street style in London

    London is considered a significant fashion capital, but in contrast to Milan and Paris, London’s look is closer to the fashion sense of royalty, traditions and strong street style culture.[citation needed] The city was a pioneer in the development and promotion of second-hand markets and underground tendencies in street style.[citation needed] Being a multinational city with a diverse cultural background, London is identified as a space where street style embodies not only the general popular fashion concepts, but also works as a tool to express social and cultural identity.

    Other important aspects of London’s peculiar image is a recent collaboration between the Duchess of Cambridge and Alexander McQueen fashion brand. Clothes produced for the Duchess can be called revolutionary in a certain sense, as they are woman-friendly, less pretentious and dramatic. This speaks about a certain democratization of the brand, that becomes more affordable for common consumers and perceived as a street style item rather than high fashion royal attribute.[citation needed]

    One of the major reasons London has proved itself as a street style centre in Europe is that British fashion players are seen as more open and flexible in terms of innovative approaches to fashion and cooperation with young promising talents. This attitude creates more open-mindedness and affability with regard to street style and promotion of sustainable fashion practices.[citation needed]

    New York

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    The practice of photo shooting models, still in runway makeup, in front of open warehouse spaces and garages or just on the street came from the fashion capital of the United States.[11] Starting with the Gibson Girl of the 1890s, the free-spirited Flapper fashions of the 1920s, and the rugged, masculine work-wear of the 1930s and 40s, American culture has been especially influential in the creation of street style, with music movements like jazzrockdisco, and hip hop, American sports and recreational pursuits like basketballbaseballmotorcycle ridingsurfing and skateboarding, countercultural movements like the hippy movement, punkgrunge and associated “anti-fashion“, and image-based cultural industries like Hollywood all having exerted a significant amount of influence on New York’s fashion and design.[12][13]

    New York Fashion Week was the world’s first fashion week. Historic fashion magazines like VogueHarper’s Bazaar, and Cosmopolitan have been the world’s pre-eminent fashion publications for over a century. Neighborhoods like the East VillageGreenwich Village, and Williamsburg, Brooklyn have been hot spots for street style, the latter having helped give rise to the hipster revival of the 2000s and 2010s.

    India

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    Young people posing with fancy headgear, at Science City Kolkata, 2018

    Street style in India is getting on its way by copying this style generally from Hindi cinema. As Indians are always fascinated by fashion, in India, different religions help in achieving this street style.

    Effects of social media

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    Fashion bloggers

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    Social media channels have become an efficient way in fashion practices to keep in touch with the consumer base as well as increase it through brand exposure. It allows for immediate feedback from users, which makes it possible to stay up-to-date with the latest changes and trends in street fashion. Blogs that focus on fashion brands and products, street style and personal style in particular are the largest categories of the blogs. Fashion blogs, or style blogs, are blogs that focus on fashion and beauty and are produced by bloggers who self-identify as stylists, creating their own authentic looks and exposing them in urban spaces.

    Blogger Alan Cariño attending París Fashion Week

    As the result of the immense outspread of fashion blogs, the level of engagement between the individual and fashion industry has risen dramatically, the gap between fashion houses, publications, and individuals is narrowing. Within the everyday people can communicate via the blogosphere, sharing their personal, individualized expressions of self.

    By utilizing texts, including images and narratives, from fashion blogs, individuals can view, and thus, approach dress from an innovative, individualized perspective. Fashion choices are more visible, accessible, and relatable through the fashion blog space due to these sites’ availability, user-friendliness, and constant change (i.e., uploading of new images and narratives). Blogs, in contrast to traditional fashion practices, represent varied images and bodies. However, it has been found that fashion blog imagery is not that different from those bodies featured in fashion editorials: there is often an emphasis on thinness, height, and whiteness. Yet these sites also include images of women that are raced or gendered, which does present an alternative view, as well as male bodies (not common in mainstream fashion editorials for the female subscriber).[2]

    Instagram

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    Instagram, a leading mobile application for stylizing and sharing photos on the web, has proved popular among street style amateurs and professional street style photographers with large followings.[14]

    Instagram is viewed as a relatively cheap, quick, flexible, and widely available platform. It gave life to a specific Instagram-based community of street style photographers and models, who also work as an additional channel of communication from fashion providers and consumers. Consequently, many well-followed photographers started including more street style photography in their portfolios.[citation needed]

    Examples

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    Examples from the 1950s1970s1980s1990s2000s, and 2010s include: